Rare stuff

(c)ovid’s metamorphoses

With a wide range of work by sound artists and musicians, writers, filmmakers, photographers, and visual artists, @ovid’s Metamorphoses uses the COVID-19 pandemic and its far-reaching consequences as an instrument for change, artistic and otherwise. A play on experiment across various fields of artistic practice, all featured work revolves around ideas of transmission and inspiration, […]

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HUS

The well-known visual artist Hanne Borchgrevink presents her project that questions how a picture can be described by sound, so that the listener and observer can experience the connection between picture and sound. The work was originally presented inn the gallery «OSL contemporary» in Oslo, November 2017. The three graphics were shown together with earphones

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Let’s Put It To Music: 20 Years Of Rune Grammofon

Rune Grammofon: “It´s no secret that Rune Grammofon founder Rune Kristoffersen is a big admirer of labels like Blue Note, Impuls, ECM, 4AD and Factory, to mention some labels with strong visual identities. But we can´t recall another label that has worked with one designer exclusively for 20 years and 200 releases. The exclusivity was

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Crepuscular Hour

Crepuscular Hour was originally commissioned for a performance at the Ultima festival 2010 in Uranienborg church, Oslo. The work is composed for three choirs, three pairs of noise musicians and concert organ. All performers surround the audience, and are amplified locally. In 2012, the piece was adapted for a performance at the Town Hall of

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meow nim xluf minus w-moan ulf men equals nixon

In a series of fluxus releases: Agrare (Maja Solveig Kjelstrup Ratkje/Hild Sofie Tafjord/Lotta Melin) – Seglet Er Vekk (from performance ‘[intlink id=”236″ type=”post”]A Safe Place to Die[/intlink]’, 2010) Mama Baer – For the Maincontrol Natalie Lauchlan – 65.7N20.3W Hannah Silva – Threshold Barbara Rapp – Kategorie (Salon Freiheit Klagenfurt, Dezember 2012) One-side LP, limited 100

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It still haunts me like a good nightmare, and I try in vain to recover the impression

In Roland Barthe’s Mythologies from 1957 he presents his theory on myths, which he believed to be collective conceptions of cultural phenomena constantly retold through objects and actions, until they appear as given and natural. In the exhibition It still haunts me like a good nightmare, and I try in vain to recover the impression

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Adventura Botanica

Rune Grammofon: “On in this botanical adventure – or “Adventura Botanica” – SPUNK join forces with one of Norway’s leading modern dance exponents, Odd Johan Fritzøe, to create a sound and movement work celebrating Darwin’s legendary, game-changing voyage to Madagascar. Premiered in 2013 at Oslo’s trailblazing Ultima Festival of Contemporary Music, “Adventura Botanica” was the

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Festival Electronica En Abril 2003-2012

2LP: A1 eleh – woven over A2 radian – rusty machines, dusty carpets B1 maja ratkje – [intlink id=”7750″ type=”post”]softly as i leave you[/intlink] B2 nsi. – quartz B3 farben – atrappp C1 dopplereffekt – dyson sphere C2 elektro guzzi – saftgulasch D1 thomas köner – tiento para elma D2 matmos – exclusively polygamist! D3

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LIGHT

Rune Grammofon: “This DVD gives a rare and unique insight into the live concert experience of one of Norway´s most prominent and long standing contemporary impro groups. Commisioned by the Henie Onstad Art Centre for it´s 40th anniversary in 2008, ”Light” can be seen as an interaction between the art centre´s enviroment and the musicians.”

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